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Rag desh fact sheet

Rag Desh 1. Anoushka Shankar 2.

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CHiranji Lal Tanwar 3. Benji Wertheimer & Steve Gorm FACT SHEET

GCSE Music: AoS4 World Music

North Indian Classical Music Background -Closely linked to Hinduism- the many Hindu Gods are often worshipped through performing different raga -It is part of an oral tradition (passing down music by word of mouth and listening- gharana) - There are over different rags for particular times of day and occasions.

- The music is linear- emphasis is purely on the melody The main element of the Raga: 1. Melody- improvised from notes of the rag 2. Drone- (on sa and pa) played by the tambura (keeps a sense of tuning) 3.

Chiranji lal tanwar biography sample pdf Deoki Nandan and Shahid Husain then remarked that it was an offense to interfere with war work, but they did not pay any heed to what Deoki Nandan and Shahid Husain said and began to bodily remove the villagers from the meeting. Hidayat Khan Nayanghosh Pt. Publications : Publishing articles related to music in national newspapers and magazines. From 10am till 5pm, the fort is sprinkled with folk dancers who perform dances specific to different parts of Rajasthan like the Chang, Terah Taali and the energetic dances put up by the Kalbeliya gypsies of Marwar.

Rhythm (tala)- repetitive, rhythmic cycle played by the tabla drums

Different types of tala Rag Desh 1- Jhaptal tala: 10 beats Teental tala: 16 beats

2+3+2+3 4+4+4+4

Rag Desh 2- Keherwa tala: 8 beats

2+2+2+2

Rag Desh 3- Rupak tala: 7 beats Ektal tala: 12 beats

3+2+2 2+2+2+2+2+2

Rage Desh 2- Words from the Bhajan (song).

Hindu devotional song Words translated from Hindu You are my companion through life and death and I cannot forget you night and day. My heart pines for you and I feel totally restless when I am not able to see you.

Rag Desh- A monsoon rag Rasa (primary moods) = devotion, romance, longing

Key Words Bols- Independent rhythm parts in a tala: they create exciting syncopations by going against the main beat Matras- individual beats in a rhythmic cycle Sam- the first beat of the rhythmic cycle Alap- Opening unmetered and improvised section of a raga Gat- the final section of an instrumental raga: a ‘fixed’ composition with improvised embellishments Instruments: Sitar- 7 metal strings (inc.2 drone strings) + around 12 sympathetic strings= ‘twangy’ sound: uses techniques such as meend and tan Sarangi- Fretless, bowed string instrument- gentle tone for accompanying singers

The notes are based on the Indian notation system called Sargam

Bandish- the last section of a vocal raga: a ‘fixed’ composition in the form of a song Jhor- the 2nd section of a raga- medium tempo with improvisation.

Jhalla- 3rd section of a raga- lively tempo and virtuosic improvisatory skills shown: the climax Meend- the sliding effects between notes Tan- Rapid scalic flourishes on the sitar, sarod or sarangi Tihai- A short phrase repeated 3 times to indicate the end of a section/piece Sarod- Fretless string instrument with sympathetic strings and a metal fingerboard- lower range than sitar Tambura- 4 strings and a resonator for playing the drone Tabla- Small set of 2 drums: 1 wooden, 1 metal with a black centre circle made of iron filings and paste

Rag Desh - 1.

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  • Anoushka Shankar 2. CHiranji Lal Tanwar 3. Benji Wertheimer & Steve Gorm FACT SHEET

    GCSE Music: AoS4 World Music

    Rag Desh 1 - Anoushka Shakar (sitar) - Sitar & Tabla Structure: Alap: Slow, unmetered, improvisatory, short section- played on the Sitar Gat 1: Fixed composition- decoration added, medium tempo, Tihai – end of improvisations with an idea played 3 times- Tabla enters (Jhaptal tal- 10 beats) Gat 2: Faster tempo- Tabla plays Tintal tal (16 beats) end: Drone strings used on the sitar- strummed.

    Piece concludes with a tihai.

    Rag Desh 2 - ‘Mhara janam maran’ Chiranji Lal Tanwar (voice)Voice, sarangi, sarod, pakhawaj cymbals tabla Structure: Alap: Slow, unmetered, improvisatory- features the sarangi and the voice introduce notes of rag.

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    end: Bandish/Bhajan: Fixed composition (a song in verse form). Tabla enters (Keherwa tal8 beats) short sarod solo, =sarangi solo. Dynamics and tempo increase= exciting! Main patternverse,refrain, solos, x3.

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    • Ends with a short tihai.

    Rag Desh 3 - Benjy Wertheimer (esraj & tabla) & Steve Gorn (bansuri) Tambura, bansuri, esraj, tabla Structure: Alap: Slow, unmetered, free, improvisatory- Tambura plays drone (sa +pa), bansuri and esraj play the notes of the rag. VERY long section. Gat 1: Slow tempo.

    Tabla enters at (Rupak tal- 7 beats). Fixed composition starts at improvisation happens around the gat.

    Chiranji lal tanwar biography sample After completing his studies in , he worked as a Nagma Vadak at Banasthali Vidyapeeth for 20 years. Associate Acts. Open Library American Libraries. At am sharp, the Tandoora players start the concert.

    Tabla gets more complex. Bansuri (wooden flute) plays the gat whilst tabla improvises- then swap. Tihais are heard to signal the end of sections. Last one leads to 2nd gat end- Gat 2- A fast tempo in Ektal tal (12 beats). Bansuri plays elaborate gat- scalic runs (tans), slides. Several tibais are heard as the piece finishes